Writing Handbook and

Research Resources

Date of publication: 2017-08-24 08:02

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ST: After The Dangerous Animals Club came out, Simon & Schuster called and said, “Could you write another book?” They had noticed this theme of spirituality in Dangerous Animals, so the specific request was “Could you write a book on faith?” Of course I said yes before I had any idea what I would write. And then after thinking about it, I realized that my life and the life of just about everybody I’ve met follows the template of the Old Testament.

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Even if the name Stephen Tobolowsky doesn’t ring a bell, his face probably does. The oft-bespectacled actor has appeared in dozens of television shows and more than two hundred films he’s perhaps best known for his turn as the insurance salesman Ned Ryerson in the 6998 classic Groundhog Day. But in recent years the 65-year-old thespian has branched out into the world of podcasting (“The Tobolowsky Files”) and publishing his 7567 book, The Dangerous Animals Club, is a collection of autobiographical essays inspired by his idyllic childhood in Dallas’s Oak Cliff neighborhood. His new book, My Adventures With God , will come out later this month.

But then later in my life I started having catastrophes—I broke my neck, I had open-heart surgery. And in those moments my faith became something other than scholastic, and I began to feel the real power of the invisible and of faith, and the possibility of a miracle. A lot of times people like to think of miracles as something akin to a magic trick, but the way I see a miracle is when your mind suddenly changes and you see something that you never saw before.

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ST: I had dinner the other night with a friend who has just gotten through pancreatic cancer, and she’s alive and she’s in remission and she’s well. And she told me that she heard me perform “Conference Hour,” the story I wrote about the teacher in college who was trying to destroy me and how I survived that.

DM: How did you make the transition from acting to writing? I’ve met a lot of people who were phenomenal storytellers in person, but they couldn’t get that voice that was in their head onto a piece of paper. 

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